{"id":102,"date":"2026-04-24T18:27:51","date_gmt":"2026-04-24T18:27:51","guid":{"rendered":"https:\/\/kavehsarvarian.es\/?page_id=102"},"modified":"2026-04-24T18:27:51","modified_gmt":"2026-04-24T18:27:51","slug":"about-me","status":"publish","type":"page","link":"https:\/\/kavehsarvarian.es\/?page_id=102","title":{"rendered":"About Me"},"content":{"rendered":"\n<h3 class=\"wp-block-heading\" style=\"font-size:35px\"><strong>Kaveh Sarvarian<\/strong> <strong>1976-Tehran<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Musician and Composer<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Born in 1976 in Tehran and raised in Khurasan, Iran, Kaveh Sarvarian began his musical journey at the age of 16 as a self-taught tombak player, the principal percussion instrument in Persian classical music. Drawn to the sound of the ney, the traditional reed flute, he also taught himself to play it. With limited resources, he built his musical knowledge by collecting and studying recordings, through which he immersed himself in Persian music.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">After learning to read and perform music, he prepared for admission to the University of Art in Tehran, where he was accepted and began his formal musical education. At the Faculty of Music, he studied Persian classical music while also receiving private training in harmony, composition, and Western flute. In 1998, he was awarded <strong>Best Flutist<\/strong> at the National University Music Competition.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">His first composition, <em>Fugue in Homayoon<\/em> for string quartet, was later presented at the prestigious <strong>Fadjr Festival<\/strong>, Iran\u2019s most important cultural event, where he received the <strong>Best Composer Award<\/strong>. Alongside his studies, he began teaching at the Higher Conservatory and the University of Art in Tehran.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">During his master\u2019s studies, he met pianist and jazz composer Hamzeh Yeganeh. Their artistic collaboration led to the recording of three albums and numerous performances. After completing his studies, Sarvarian joined the <strong>National Symphony Orchestra of Iran<\/strong> as a flutist, performing for four years.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">He later released <em>Quartets for Ney<\/em> and <em>Moonlight Sky<\/em>, as well as his first pedagogical book, <em>Comprehensive Ney Method<\/em>. During this period, he expanded his artistic language by exploring diverse musical styles and instruments. He also collaborated with the group <strong>Rastak<\/strong>, performing innovative arrangements of traditional music.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In 2011, his artistic path took a decisive turn when he moved to Spain. Initially planning to continue his studies in Vienna, he eventually settled in Madrid, where he redirected his career toward performance, teaching, and the dissemination of Persian music. He founded several projects combining music, poetry, and dance, including <strong>Yaran Ensemble<\/strong>, <strong>Nasim Saba<\/strong>, and later <strong>Parvaaz<\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Between 2011 and 2018, he released several albums in Spain, including <em>Ofogh<\/em>, <em>Ney &amp; Spanish Guitar<\/em>, <em>Sonido del Oriente<\/em>, and <em>Kereshmeh<\/em>, presenting new perspectives on Persian music. In 2021, together with choreographer Patricia \u00c1lvarez, he created the stage production <em>Kereshmeh<\/em>, an experimental performance presented at the <strong>Arrels Festival<\/strong> in Valencia and at the <strong>Framed Foundation<\/strong> in Berlin.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sarvarian has collaborated internationally, including performing at the <strong>Austrian World Music Award 2016<\/strong> with the jazz fusion ensemble led by Mahan Mirarab. In 2019, he released <em>Madar<\/em> with the Arab fusion group <strong>Darawish<\/strong>, and has also participated as a guest musician with <strong>Sinouj<\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Teaching remains a central part of his work. After more than twelve years of teaching in Spain, both in person and online, he has published two pedagogical books: <em>Ornaments of Persian Music for Ney<\/em> and <em>Tombak Method<\/em>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In 2021, he participated in <em>Ritual<\/em>, a project by Ana Alcaide inspired by Persian music and poetry. Since 2018, he has been a member of the <strong>CdM Cultural Foundation<\/strong> in Valencia, collaborating in projects directed by Carles Magraner such as <em>The Silk Road<\/em>, <em>The Collar of the Dove<\/em> (awarded Best Early Music Album in 2023), and <em>The Son of the Moment<\/em>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sarvarian leads <strong>Parsinava<\/strong>, a project that creates a dialogue between Persian music and jazz. His artistic journey in Spain has also led him to explore Arab musical traditions. His collaboration with Syrian oud player Hames Bitar resulted in the album <em>When the Sun Rises<\/em> (2023).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Currently, he is developing a pedagogical project with Australian flutist Marie Heinrich, working on a series of Persian music books for flute, as well as composing Parsinava\u2019s upcoming album. He is also working on a chillout Persian tribal album featuring Javier Paxari\u00f1o, the second album of <strong>Cardamom Trio<\/strong>, and presenting new duo projects: <strong>Kaveh &amp; Elyar Performance<\/strong> and <strong>Sarvarian &amp; Wasserman Duo<\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Kaveh Sarvarian 1976-Tehran Musician and Composer Born in 1976 in Tehran and raised in Khurasan, Iran, Kaveh Sarvarian began his musical journey at the age of 16 as a self-taught<\/p>\n<p class=\"more-link\"><a class=\"button\" href=\"https:\/\/kavehsarvarian.es\/?page_id=102\" class=\"readmore\">Seguir leyendo<span class=\"screen-reader-text\">About Me<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-102","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/kavehsarvarian.es\/index.php?rest_route=\/wp\/v2\/pages\/102","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kavehsarvarian.es\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/kavehsarvarian.es\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/kavehsarvarian.es\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kavehsarvarian.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=102"}],"version-history":[{"count":1,"href":"https:\/\/kavehsarvarian.es\/index.php?rest_route=\/wp\/v2\/pages\/102\/revisions"}],"predecessor-version":[{"id":103,"href":"https:\/\/kavehsarvarian.es\/index.php?rest_route=\/wp\/v2\/pages\/102\/revisions\/103"}],"wp:attachment":[{"href":"https:\/\/kavehsarvarian.es\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=102"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}